November 19
th, 2009
UK Customs & Immigration
I worry they’ll say, "Business or pleasure?", but they never do:
‘Hello!!
‘Hello. How are you?’, I reply
Knowing, too late, that this ‘How-are-you’ sounds so American when I am still not.
‘Oh, not bad. Nothing that a barstool wouldn’t cure!!’
A Santa-ish and avuncular immigration officer, an encouraging start to a trip nobody wants. The Tube is stuffy, and coming up above ground, London is its usual drab self, at night a city of flat orange and grey, the streets splattered with enormous yellow leaves, slimy underfoot. Arriving at my friend’s flat, her hallway smells slightly of damp, the smell of so many English houses, which makes me think of all the ones I have lived in - and so of her house. Wish you were here.
November 20th
Chalk Farm Tube Station & Islington
The awful package is handed to me in an obscenely mauvish-pink nylon shopping bag. So it’s true, then. It’s surprisingly heavy, which is not surprising at all given that everyone probably thinks this same thing. The commuters swarm round us and I sense I should take my leave. I step onto the escalator for the steep ride down into the Northern Line, the deepest in London, conscious of and appalled by what I am carrying, but very calm of course, and careful not to put it on the floor of the train.
At the newsagent’s I buy wine, crackers, cheese, in that order. The man asks if I need a bag, glancing at the obviously half-empty one I am holding - and don’t need, either. I might have told him.
‘No…I mean yes, yes please. Sorry, I’ve got something a bit fragile in this one.’
Not anymore.
A few minutes later, suddenly enraged by the tangle of bags, money, cellphone, keys, I put the little bag he’s given me into the awful mauve one anyway. She wouldn’t have minded.
The next morning I will carry this and the box hiding inside, out to Epping Forest, where she worked with horses all those years ago and where she was happiest. She even knew at the time, she told me, how happy she was and how rare it was to really know it when you are.
I am sleeping on an air mattress on the floor and I’ll keep the thing at my head, one handle wrapped round my wrist. Waking up a few times during the night I pat at it gently and very uselessly.
Saturday 21st
Epping Forest
The box is navy blue cardboard like something holding posh stationery. Her name is scribbled in biro on several sides and again, printed on an envelope fastened to the top with an elastic band. It’s a ‘Certificate of Cremation’. Who knew there were such things? I unwrap the brown paper, feeling a bit shifty and dishonest in a two weeks before Christmas sort of way. There’s a little white card inside, her name yet again. Yes. Thankyou. It’s like bloody Pass the Parcel in here. Another horrible white card later, and I understand they want to make sure someone gets the message and while I’d like to say they’re preaching to the choir, they’re not. That’s the problem, you see.
I lift up the lid - not slowly, quickly, fearfully, or even like Pandora. I just open it. I know what’s in there. When I was seventeen, having read too much Edgar Allen Poe, I asked the local crematorium for a behind-the-scenes tour and they obliged. They were probably delighted. I had asked the man:
‘Is it true they sit up when they’re burning?’
‘What? Nah! The dead can’t hurt you, love.’ (Think again.)
‘No, I know that. I mean, because when the heat reaches the muscles, it shrinks them and they contract and so…’
‘No, luv. Look, the dead can’t hurt you.’
And so on. It was hopeless. But I told her about it afterwards - I got my ghoulish streak from her - and we had a good laugh about that, she and I.
So I know all about it: the inconveniently lumpy remnants of skull, of pelvis, pulverized in the aptly named Pulverizer, into something less unpretty. I dig out 3 - 4 scoops with a teaspoon and seal it in a little plastic screwtop tub. Save some for later. I feel like a character in ‘C.S.I.’, all professional delicacy and steady hands.
My London host comes with me. We take the train out past Walthamstow where I remember living as a child. I tell her about the husband and wife owners of the fish stall and how they gave us two little china polar bears. Yes, she says, the market is still here. Imagine!
At Chingford we walk up the hill, turn left, and go down the other side into the forest. It’s damp, blustery and muddy, full of walkers, dogs and runners ruining their knees. I must find the right place. Somewhere, but where? She had always insisted, ‘Oh, I don’t care - I’ll be dead!’ until eventually, worn down by my interrogations, ‘Oh allright, just spread me on a horse field somewhere.’ I peer at the ground looking for hoof prints.
I find not only evidence of horses, but a tree, symmetrical and alone. It’s late Autumn-looking, bits of gold still smouldering at its edges. ‘What a pretty little tree!’, says her algorithm in my head. The tree it is, then. A Nevermore raven is pecking about underneath, or maybe it’s a crow. whichever one it is that walks instead of hops. I take the box out of the inappropriately mauve bag, pull off the lid, and tip the whole lot into the wind. And is that all there is? It is. Memories are only chemicals stuck between your temporal lobe and your occipital fissure. In my hands were eight pounds of grey, black, and white flecks in navy blue cardboard - carbon, charcoal and bone. I stamp on the now empty box and quickly lick the ends of my fingers. They taste vaguely of iron, blood and, unsurprisingly, ash - but mainly they taste of nothing at all. Then my friend takes some photos. Later, one of them will show someone standing under a tree surrounded by white stuff and looking dismayed, perhaps by a coke deal gone terribly wrong.
As we walk away one magpie perches on a branch. Really. ‘One for sorrow’! I say. How perfect. Three horses trudge by and I’m thrilled. I stare hard at the riders, her simulation running in my head, commenting on their seat, their hands, heels and toes, the placement of the saddle. But it’s not really her.
Tuesday 24th
South East Coast of England
"It was a dark and stormy night…." - and it is. Her garden isn’t hers anymore, I’m told, but legally it never was so, so what? It belonged to the state. They’ve put another tenant in there. But I have thought a lot about the little patch of wild strawberries and how she looked forward to its appearance every June and how no one will care about it anymore or even know it’s there (hidden under some bushes). Who can worry about criminal trespass at these times? It will be an Adventure. ‘Oh, your Mum, she would have loved that idea!!’ said her friend, who is now driving the getaway car for her reckless remark, my aider & abeter.
I don’t look at the town as we drive in. We stop short of the front gate and get out. It’s raining hard. Aside from a lone houseplant in the sitting room window, the place looks ignored and very bare. They’ve painted everything white inside and all the downstairs lights are blazing. Someone is in. Someone who doesn’t care about wasting electricity. Fuck it. I walk through the gate with the screwtop jar, perform a surreptitious little scatter in the front garden just in case. Excellently Plausible Story at the ready, I run up the steps, along the side of the house, perform a proper skulk under the kitchen window, and duck and weave through the sodden back garden, sprinkling here and there like a demented Tinkerbell. Insert, extract. Simple and clean, even if back in the car, I sense a bit of unsaid disappointment at not getting caught.
We are halfway along the coast road when I remember the doorkeys in my pocket. They’re hers and I had meant to bury them in the forest. God knows why. We stop the car and I clamber over the wall and onto the beach. It’s pebbly with a steep drop down to a flatter part close to the water’s edge. Scramble, scramble. Scrambling and falling. I remember doing exactly this right here when I was six or seven. It’s raining now at stinging angles, the wind a King Lear gale, the sea an animal bellow , etc., etc. The sky moves fast overhead, wasting no time, rushing through its clichés of battleship grey and charcoal smears, scudding bruises, peeping moon shimmer and all the rest. Pathetic fallacy. Under the melodrama the sky is merely itself, hard and cold.
I’m not sure what I’m doing here but I know it’s exactly the right thing to do, standing on the beach in the storm feeling tiny against the enormous sea, staggered backwards by the wind, gauging how close to get to the eerie hiss and rattle of millions of tiny stones drawn back in, the inbreath before it returns in a massive roar of triumph. I really don’t want to get fallen on by what looks like half the English Channel. I lean back and chuck the keys as hard as I can through the salt spray, against an incoming stacked wall of galloping waves. The keys probably fly all of four feet, who knows, but there is glee and defiance and that’s what counts.
Driving on, I untangle my wet hair, feel bad about the mud on my boots messing up someone’s car, and I think too about her house and that new plant she’s put in the front window.
Copyright Britical, 2009. All Rights Reserved.